Two chemical species in one voxel, turning at two different rates. Their sum beats in
and out of phase, and where you sit in that beat decides what the voxel looks like.
Fat and water in one voxel at 3 T.
species A (water)species B (fat)sum
B is redrawn from the tip of A, so the red sum closes the triangle. The faint curve is
the path the sum's tip has traced.
Signal magnitude against echo time. The dashed lines are the perfectly in-phase sum
(A+B) and the perfectly opposed sum (|A−B|).
The two species
Water is conventionally put on resonance, at 0 Hz.
Fat sits 3.4 ppm below water: −217 Hz at 1.5 T, −434 Hz at 3 T.
Fraction of the voxel that is water.
Fraction of the voxel that is fat.
Simulated milliseconds per second. Real fat and water beat far too fast to
watch.
Δf434 Hz
phase difference0°
|sum|1.000
first opposed-phase TE--
first in-phase TE--
t0.00 ms
What this figure is for
A voxel almost never contains one substance. Protons in fat are shielded by their surrounding
electrons, so they feel a slightly smaller field and precess about 3.4 ppm slower than protons
in water. Two vectors, two rates, one sum, and the sum depends on when you choose to measure it.
The beat is the whole point. At TE = 0 the two species add. Half a beat later they
subtract. The readouts give both times for the current Δf, and the dashed lines on the plot
give both amplitudes. At 3 T the first opposed-phase echo lands at about 1.15 ms and the
first in-phase echo at about 2.3 ms, which is why those two numbers appear on abdominal
protocols.
Chemical-shift imaging falls out of this. Take one image at each TE and you can solve for
the two species separately: (in + opposed)/2 is water, (in − opposed)/2 is fat. That is
two-point Dixon, and it is why an adrenal adenoma or a fatty liver darkens on the
opposed-phase image.
Amount matters. Set both amounts equal and the opposed-phase signal goes to zero: a voxel
that is half fat and half water cancels completely. Make one species dominant and the dip becomes
shallow. The India-ink outline around organs is this cancellation happening in the voxels that
straddle a fat-water boundary.
Set Δf to zero and the beating stops: the sum is just A+B forever. Everything
interesting here comes from the difference in frequency, not from the frequencies
themselves, which is exactly why the rotating frame is a legitimate place to work.
Try this in class: switch between the 1.5 T and 3 T presets and watch the beat period
halve. Chemical shift in hertz scales with field strength, which is why chemical-shift artifacts get
worse, and Dixon echo times get shorter, as you go up in field.